From Publishers Weekly
Mann rose to prominence with Immediate Family, a collection of photographs of
her children that some saw as emotionally direct and others found disturbingly
erotic. Regardless, these photographs, and her subsequent work, demonstrate
that Mann has a preternatural eye for light and composition. In this book,
Mann, inspired by "a cache of glass negatives...of familiar local places," set
off with her camera through the South, using eighteenth century photographic
techniques to capture the "radical light of the American South," and the
results are fascinating. In Georgia, a column of leaves dissipates into a
luminous mist; in Virginia, a scumbled field with an empty cart in the
distance suggests a test shot by Matthew Brady. Many of these photographs are
startling in their intimations of violence: in the section called "Deep
South," Mann depicts the thick shaft of a venerable tree with a wound-like,
horizontal slash near the trunk. Mann has also included the inevitable
mistakes involved with such a tricky process: indiscernible unhappy accidents
and washed-out near-abstractions. This is brave but puzzling. In one of her
short essays, Mann writes that the Southern dusk makes "the landscape soft and
vague, as if inadequately summoned by some shiftless deity, casually
neglectful of the details." A god may enjoy such prerogatives, but shouldn't
artists be more mindful? Most of the 65 images here are hauntingly beautiful
and offer a stunning tour of a very off-the-beaten-path part of the country.
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